"There is an inherent paradox in working with so responsive a material as clay. Traces of touch - fingerprints, knuckle marks - are formed, moment by moment, with relentless fidelity. Such intimate contact of hand and clay remains far beyond the process, beyond even the life of the artist; it becomes a permanent record of impermanence."
Metonymy. Terracotta sculpture, lifesize. An ongoing series about figurative language, 2007-2008
